Category: recursive


Anytime a computer application renders an image, it
reserves a chunk of memory from the graphics card and fills it with
information which is then drawn to the screen. The memory is released
once this operation is complete, but its contents are not erased. This
is because each application assumes that whoever will next reserve this
memory will overwrite it with its own data.

Scrape works by reserving some memory and
reading its contents without writing anything to it first, thus
collecting traces left behind by recently used programs.

Capri Battery
“This “object” work presents energy by connecting a lemon to an
incandescent light bulb painted yellow. The lemon’s acidity generates a
weak electrical current, causing it to function as a battery, and
illuminate the bulb. Although invisible on the surface of the bulb, the
viewer is led to imagine this “light” as energy being generated. The
pairing of the lemon — having grown storing electromagnetic radiation
from sunshine via photosynthesis, and now, as a detached fruit in the
process of decomposition — with the light bulb presents the existence
of energy as something transformed and transported beyond simple
assumptions of the natural and the artificial, in this unpredictable and
vivid coupling. This was one of BEUYS’ last works. Capri is the name of
the island famous for its lemon production near Napoli.” – from “Light InSight” exhibition site

nowhere0.jpg

Nowhere is a three-dimensional milling machine that carves a
landscape relief on a 70x70x10cm large block of hard foam. The machine
receives a stream of live search requests from the german search engines
metager and metager2 (www.metager.de) via the internet.
The users search movements erode rivers and canyons on the surface.
Search requests that shoot through the internet just for a fraction of a
second and generate an answer on the searchers screen, cause the
machine to write a constant growing sculpture into the space. The
continuous stream of changing search requests defines form and rhythm of
this process.
…reblogged from rhizome

sunset-solitaire3.jpg

‘sunset solitaire’ – 2005,  joe mckay –
remixing a sunset live…originally seen on rhizome

Astrological inscription by Hugh Draper, 1561
hugh draper – 1561
graffiti at the tower…

crashed

This sculpture is a machine that advances two full sized automobiles slowly into one another over a period of 6 days, simulating a head on automobile collision.  Each car moves about three feet into the other. The movement is so slow as to be invisible. It is almost impossible to watch a modern action film without at least one automobile wreck.

http://c0573862.cdn.cloudfiles.rackspacecloud.com/1/0/128/42012/insearch1.jpg

ubu web videos

http://blog.art21.org/wp-content/uploads/2009/12/otero-pailos-the-ethics-of-dust-5-MB.jpg

“Jorge Otero-Pailos, contributes The Ethics of Dust: Doges Palace, Venice, 2009. The installation, a latex cast of a wall of Doges Palace, combines techniques of architectural preservation with artistic production to remove and display a century of pollutants.” – from the cca site

Internal noise from a CCD in a light tight box is mapped to audio by sampling pixels in a Quicktime matrix and using those values to manipulate white noise. Software looks for similarity between spectrograms of the noise and a very large set of spectrograms of spoken words. When two are congruent enough the results are spoken by the computer and projected into the space. Software pans across, zooms, and changes the blur, brightness, and contrast of the camera noise, as it looks for hidden images. These are standard EVP strategies for teasing images and sounds from visual and audio noise.” – alan dunning and paul woodrow

Joan Jonas «Vertical Roll» | Videostill

…This space functions as a metaphor for the unstable identity of the costumed and masked female figure roaming the screen, negotiating the rolling barrier of the screen’s bottom edge.” – from medienkunstnetz

RGB 3.0 by Noel Kerns.

…finding derelict structures, crawling inside, illuminating them with small gelled lights and photographing them. The images that result have a stillness that says something about decay and the passage of time, but (thanks to the long exposures he often uses) a hint of life in the streaking contrails of stars and headlights flashing past on nearby interstates. – from boing boing +flickr

For what else is this collection but a disorder to which habit has accommodated itself to such an extent that it can appear as order? – Walter Benjamin – “Unpacking My Library”